Pretty good write-up by Frans de Waard:
MIKE SHIFLET & DANIEL MENCHE - STALEMATE (CD by Sonoris)
To make noise is pretty a not very difficult thing, but the main question remains: is it interesting for the listener? This where lots of noise makers leap away and do an endless barrage of distorted sound and think that the more is the better, and the louder it gets adds to the fun all around. I beg to differ. There is good noise and its not always about being the loudest for the longest duration, but to actually compose with unusual sources. It needs skill, imagination and experience, I guess. Mike Shiflet (former boss of Gameboy Records) and Daniel Menche have exactly those qualities. They work here with Hammond organs (odd, just like Golden Serenades on 'Hammond Pops' - see Vital Weekly 702) and electronics an create a three piece suite of electronics that is both minimal and maximal. Minimal towards the sounds they use, the actual composition and sometimes to the volume. Maximal to some of the louder parts of this work. They use a variety of layers in this work, built them up in a great, never letting go of the idea of 'noise', but at the same time think of the listener: what do we want to create that is also interesting for him/her to hear, who is so far away? They succeed well. This is a well-crafted, thoroughly composed work, loud, menacing but a great pleasure to hear. This is the noise I like very much! (FdW)
Perhaps a bit too much emphasis placed on our desire to create a listener-friendly work, but it could just as likely be that I'm reading too much into (or completely misinterpreting) his words. Copies of this should be arriving any day now. I'll post again when I have them for sale.